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	<title>Anonymous Woman 202206 &#8211; Anonymous Women 2022</title>
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		<title>Jessica Tanto</title>
		<link>http://en.anonymouswomen2022.com/2022/07/08/jessica-tanto/</link>
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		<dc:creator><![CDATA[Anonymous Woman 202206]]></dc:creator>
		<pubDate>Fri, 08 Jul 2022 09:32:51 +0000</pubDate>
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<h1 class="has-text-align-center wp-block-heading"><span class="sme-text-color has-accent-color-color">Featured Artist 1: <strong>Jessica Tanto</strong></span></h1>



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<p><strong>Title:</strong> How to Hide Yourself Using Your Body</p>



<p><strong>Duration: </strong>4:03</p>



<p><strong>Artwork Description:</strong> In this performance, the artist explores the different ways to hide their identity using nothing else but their body. The performance starts by sharing 9 different poses that an individual can do to hide their identity. It is followed by a practice session where the audience is invited to follow the movements displayed on the screen, just like following an online exercise video.</p>



<p>Special thanks to my mom, brother, and Shaked Gozlan for helping me navigate the production of the film.</p>



<p><strong>Jessica Tanto</strong> is an artist and art programmer born in Jakarta and currently studying in Melbourne. Her artwork often responds to overlooked social norms and beliefs in a community. Jessica combines her knowledge as an art programmer and artist to create community-based art projects and participatory works. Her artworks were recently included in Nandur Srawung #8 (2021), Manifesto: Pandemic (2021), and Knox Immerse (2021). In 2021, Jessica received the Prince Claus Seed Awards for her works advocating racial justice, free expression, and civil society. She is currently focusing on building Comfort Object Project and managing her South-East Asian collective, Our Virtual Studio.</p>
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		<title>Sakiko Yamaoka</title>
		<link>http://en.anonymouswomen2022.com/2022/06/01/sakiko-yamaoka/</link>
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		<dc:creator><![CDATA[Anonymous Woman 202206]]></dc:creator>
		<pubDate>Wed, 01 Jun 2022 01:48:06 +0000</pubDate>
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					<description><![CDATA[Sakiko Yamaoka aaacrylic on canvas (2022), 122 x 172 cm / 5 art pieces (one :122 x 92, four : 60 x 40) Born in [&#8230;]]]></description>
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<h2 class="wp-block-heading"><strong><span class="sme-text-color has-accent-color-color"><span style="font-size: 32px" class="sme-font-size">Sakiko Yamaoka</span></span></strong></h2>



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<div class="wp-block-snow-monkey-blocks-section smb-section smb-section--left smb-section--fit" style="color:#848484"><div class="smb-section__inner"><div class="c-container"><div class="smb-section__contents-wrapper smb-section__contents-wrapper--left"><div class="smb-section__header"><h2 class="smb-section__title">aa</h2><div class="smb-section__lede-wrapper"><div class="smb-section__lede">acrylic on canvas (2022), 122 x 172 cm / 5 art pieces (one :122 x 92, four : 60 x 40)</div></div></div><div class="smb-section__body">
<p><br></p>



<p>Born in Sapporo (Japan) in 1961. Currently live in Saitama. Graduated from Musashino Art University, Department of Oil Painting, and started performance art around 1991. Her first public performance was in Singapore Festival of Arts, Fringe 1992, titled &#8220;Topaz&#8221;, where she swam in the river. Since then, she worked often in public spaces in Tokyo, and also participated in performance art festivals in Korea, Poland, Germany, U.K., Israel, Thailand, Indonesia, China, U.S.A., Canada, Brazil, etc., and an exhibition of her drawings was in the museum in Sweden. Her drawings‘s method is similar to that of surrealism based on the extreme private sense of the body. On the other hand, in the case of her performance and video works, she often invites the audience to her performance and works in public spaces. Through the process, she would reveal their (our)unconscious sensations, view of the world, and cultural backgrounds through the relationships with living things, including people, and nature and material made by people.</p>
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